New York Classical Review7h
Music, poetry and Spanish history in graceful motion in Met’s “Ainadamar”
Lorca, who was a classical pianist, was captivated by cante jondo, or “deep song, the original manifestation of flamenco, ...
New York Classical Review5d
Love is all around Philharmonic, from Pintscher to Mendelssohn to Schoenberg
The overarching theme of Thursday’s intriguing program of the New York Philharmonic, conducted by Matthias Pintscher, was ...
New York Classical Review6d
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
The New York Studio School, an important training center for drawing, painting, and sculpting, is marking its 60th ...
New York Classical Review10d
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review11d
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review15d
Superb singing in “Rigoletto” highlights return of Met’s Weimar Verdi
With his dark, resonant bass voice and sinister demeanor, Soloman Howard made an impact as Sparafucile. In his first ...
New York Classical Review17d
Met’s “Tales of Hoffmann” offers dark Romanticism and a feast of female voices
Benjamin Bernheim with admirers in the title role of Offenbach’s Les Contes d’Hoffmann at the Metropolitan Opera. Photo: Karen Almond / Met Opera E.T.A. Hoffmann, spinner of bizarre tales in the early ...